Red Mill, Clinton

Sony ILCE-7RM2 • FE 24-70mm F2.8 GM
ƒ/8 • 24mm • 1/100s • ISO 100

It’s a good practice to go through years’ old photos now and then, review the collection again with the current mindset, and post-process a photo or two from the pile. As experience expands with the time and number of clicks, the definition of a killer photo also evolves. You will be surprised to see an entirely different photo rendered every time compared to what you had in your mind when you pressed the shutter release button.

Hadlock Falls, Acadia

Sony ILCE-7RM3 • FE 16-35mm F2.8 GM
ƒ/5.6 • 35mm • 0.5s • ISO 100

Keeping exposure timing less than a half second has another benefit other than tack sharp leaves and branches. If someone inadvertently walks into your long exposure waterfall framing, you take that opportunity and include that person into your photo with less probability of that person will blur out.

I was so happy to take this shot. The person in the photo counterbalances the waterfall in the overall structure of the composition. This balance shifts the attention away from the waterfall as the main subject adds another dimension to the composition, which will be otherwise a predictable and bland photo.

Hadlock Falls, Acadia

Sony ILCE-7RM3 • FE 16-35mm F2.8 GM
ƒ/16 • 16mm • 0.4s • ISO 100

As I am taking more and more long-exposure photos of waterfalls, I am trying to convince myself that I don’t need a very long exposure to smooth out water stream. Even half second exposure is good enough to get a silky smooth stream. It definitely increases the probability of not having other elements like leaves, branches, or bushes blurred out because of wind. And I also don’t have to hold my breath and stand still for 10 seconds while waiting for my camera to click. #acadia #photography #landscape #longexposure